Mixed media, sugarcubes, approx, 400 cm&nbsp;Photos: 1 - 6 Ismael Picker-Schiebel, 7 N&aacute;ndor Angstenberger&nbsp;

Aton, 2025

Mixed media installation, polystyrene packaging, bottle caps, and wood; five different objects on chipboard, approx. 220 &times; 140 cm. The Little RobotA glance into the distant future: the utopian vision of a world recovering its health has ultimately failed, after far too late and initially ignored cries for help from countless people. The excess and ignorance of those who ruled our world have led to a state in which the Earth has become a world abandoned not only physically, but also spiritually. It is the tragic legacy of humanity, as a result of centuries of environmental destruction and relentless exploitation, a humanity that has ultimately left behind this inhospitable and ecologically devastated Earth.As the sole witness of time, a small, lonely robot remains, having outlived all other robots, which, over the years, shut down their functions in a kind of technological collective suicide born of meaninglessness. This little robot moves through a harsh, colorless, and nature-hostile world, quietly, tirelessly, and always conscientiously sorting mountains of waste, a final echo of our human civilization. Almost lovingly, the little robot devotes itself to the things we left behind, relics, nearly historical artifacts of a lost civilization, sorted by color and size, independent of their original function, since they will never again exist in a world of functionality and banality.Thus, the little robot becomes a silent witness, not only because it cleans up, but because it marvels, collects, and loves. Within it is reflected a humanity that has been lost, a capacity for relationship and for responsibility toward our world. Humanity has removed itself from the world of which it was once a part, not driven out by an external catastrophe, but by its own indifference.Photos: All Ismael Picker-Schiebel

Megalopolis, 2025

Mixed Media and polystyrene, wall installation, approx. 35 x 600 x 220 cmcommissioned public art

Atlas, 2024

A participatory art project residency &quot;Das Mobile Atelier&quot;Hadeloga, Mixed Media with donated personal items, approx. 540 x 320 cm, 2024

Hadeloga,  2024

wood, paint, 420 x 400 cmWenzel Hablik&lsquo;s crystalline architectural utopias are contrasted with the utopian landscapes of Nándor Angstenberger. Separated by 90 years, both artists have developed their own approaches to create different living environments. In this exhibition, the similarities and differences between the two &rsaquo;master builders&lsaquo; meeting here can be experienced in a new way. The Installation &quot;Wenn es ein Lebewesen wäre es müsste mich geboren haben&quot; refers as a homage to Wenzel Hablik&lsquo;s room paintings in his private villa Hablik in Itzehoe (around 1908).Photos: 1 J&ouml;rg Sarbach &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;

Wenn es ein Lebewesen wäre es müsste mich geboren haben, 2023

Mixed Media, found polystyrene packaging, 120 x 130 x 35 cmPhotos: 3 J&ouml;rg Sarbach, 8 Agnieszka HarmanciPhoto 7: artist talk with curator Manuela Husemann

Aurora, 2023

Installationview at studio im HOCHHAUS, Berlin, 2023inked sugarcubes, approx. 82 x 140 x 140 cm&nbsp;Photos: 1 - 4 Thomas Bruns

Häuserfassaden, und andere Irrtümer, 2022

Mixed media, diameter 400 cm, 2022 amorphous light object polystyrene, approx. 75 x 130 cm, 2022&nbsp;Photos: Stephan Pflug

Fabula, 2022

Aurum Lux, 2021

furniture and wool, approx. 750 x 420 x 300 cm 

0001, 2021

Taktik, Mixed Media and wood, 30 x 80 x 15 cm, 2018Atlas, Mixed Media and wood, 30 x 45 x 11 cm, 2020Futur, Mixed Media and wood, 33 x 50 x 11 cm, 2020

Taktik, Atlas, Futur, 2018 - 2020

Apokalypse Melancholia, 2020

Mixed Media and various objects 2016 - 2020, 1100 x 210 cm

Atlas Futur, 2020

approx. 8500 m wool and a metal ring, 1400 x 800 x 650 cm
Installation for a concert for New Music for the Ensemble Intercontemporain, Philharmonie de Paris, France

Stage Director: Alexander Fahima
Music: Matthias Pintscher - Scelsi, Robin, Lachenmann, Cattaneo, Pintscher

between categories, 2019

approx. 3700 m wool and tent herings, 1500 x 4000 x 650 cm 
Artistic position on the occasion of the performance "Ring des Nibelungen“ at the theatre Minden

Wagnis.Wagner, Glacis Park Minden, 2019

TAKTIK PLASTIK, wood, paint, found objects, nature objects, transportboxes and production materials of the company Konzelmann, 85 x 600 x 500 cm 

TAKTIK PLASTIK works as a display with found nature products, artificially modified through colouring and reshaping that its´appearance resembles to a manmade product but in opposition to the manufactured plastic parts which I rearranged into new forms and patterns that their resemblance points to organic natural plants as thorn bushes, parts of flowers or floating alga parts underwater, also you can recognize forms of frost flowers, bugs or beetles. My idea of TAKTIK PLASTIK is to name all sorts of plastic as a parasite, whose only intention is to survive and to find hosts to close the circle of surviving.

Photos: 1, 2, 3, & 6 Frank Kleinbach

Drehmoment, Production Art Festival, collaboration with Städtische Galerie Bietigheim-Bissingen and company Konzelmann, 2018

Mixed Media and polystyrene, 1200 x 220 cm 

Photos: Dirk Uebele

Voyager, 2017

approx. 5500 m wool and furniture, 650 x 250 x 700 cm 
Director: Alexander Fahima
Music composer: Ulrich Kreppein 

Photos: 3, 4, 5, 6 & 7 Martin Koos

Körper | Schatten, Stage Design Production for OperaLAB, 2016 

Installation at the Biosphärengebiet Schwäbische Alb, Grabenstetten at Heidegraben
Wool and tent herings, 600 x 1050 x 750 cm

Quaesitio, 2017

Mixed Media, driftwood, tape, a soup dispender,
45 x 195 x 156 cm

Photos: Rafael Kroetz

Schöne Aussicht, 2016

approx. 12000 m wool and furniture, 350 x 600 x 900 cm

Photos: 3,4 & 6 Daniel Ammann

762(I) and 762(II), 2016

9500 m wool and furniture, 380 x 480 x 650 cm 
Exhibition view at FLZ | Space, a historian smithery 

438, 2016

Mixed Media and polystyrene, 60 x 50 x 130 cm&nbsp;floor installation with various tapes, approx. 400 x 450 cm Photos: 4 Helmut Kunde

Schiff 4, 2015

Polystyrene, tape, wood and threads, 400 x 300 x 400 cm

Konus Sinus Rebus, 2015

approx. 8000 m wool and furniture from the collection of the Hoenes Foundation, 350 x 350 x 800 cm 

Photos: Henry M. Linder 

823, 2014

Polystyrene, tape, cardboard and wood, 350 x 200 x 230 cm

Pandora, 2010

Mixed Media and 12 platforms between 60 cm up to 230 cm of height, 300 x 400 cm
Collection exhibition Hellwach Gegenwärtig at Museum Marta Herford

Bis Ans Ende Der Welt, 2009

Exhibition Pepperland at Kunstverein Springhornhof e.V.


Angstenberger, Heim and Weh, 2006

Installation in the patio of the artist house El Basilisco, Buenos Aires, Argentina, approx 13000 m wool, 1000 x 400 x 600 cm

D_Version, 2007

Mixed Media installation with sugar, a playmobil boat and a teddy bear, 140 x 400 x 600 cm 

TED, 2002

Mixed Media on depafit and wood , 180 x 140 x 310 cm 

Palast und Stadt II, 2002

13000 m wool, 450 x 850 x 220 cm 
with Arne Klaskala

C_Version, 2000

Site specific installation with approx. 32000 cotton buds, 370 x 190 x 310 cm 
Concept and realisation after the the American architect, systems thoerist, author, inventor and futurist Buckminster Fuller with Arne Klaskala at Galerie L´engage Rennes 2001, France 